Tonkawa - The Completed Mural

Before


After

Details

Tonkawa Mural Dedication - "Tonkawa" performed by Amber Hansen and Nicholas Ward

Tonkawa Mural Dedication - "Prayer Song"

Tonkawa Mural Dedication - "Appreciation Song"

Tonkawa song by Amber Hansen and Nicholas Ward

Tonkawa - Behind the Scenes II

In the final days of painting, we've been challenged by obstacles - some of our own making and others from ... above. First, and most terrifying have been the Buffalo GNATS. Nothing will repel them - not bug spray, vanilla extract, skin so soft, after-shave, alcohol, or patchouli - all of which have been offered as sure fire remedies.

The gnats go for moisture. Nicholas is seen here in a
losing attempt to keep them from going up his nose.

Another obstacle to painting has been the ever increasing time allotted to socializing with the locals. It seems they enjoy (and we, wanting to fully understand Tonkawa culture, must oblige them) leisurely meals accompanied by tumbleweeds, red wine, and (you got make it to believe it) egg coffee.

Recently, to the chagrin of our adopted feline Gustav Ruffkat, a number of these gatherings have taken place atop the roof of the Tonkawa Funeral Home (seen above) where we have been staying in the beautiful "Rest in Peace" bed and breakfast.

We also have been diverted away from our primary duty by a higher calling - escorting turtles off of major and minor roadways onto safe turtle territory. This is easy enough when it comes to box turtles and red-eared sliders. Snapping turtles are another matter.

Be aware if you're ever faced with the task of moving a snapper, there is a wrong way to handle this reptile. In fact the only way to insure that you'll come out of the experience with all ten digits on your hands is illustrated above.


And as there is more to look at on the wall, there have been more and more visitors who stop by to give us their two-cents about what should, could, or definitely should not be in the mural. But the quickest we've set down our brushes was in response to a slender hissing snake in the sky just west of the mural site.


This little twister or 'twinkie' as some people around here call them, appeared from an isolated little cell that blew up at the end of a sweltering day. We watched it dance over Tonkawa, trying to land, but never quite having the juice to find the ground. It was mesmerizing and beautiful, and looked almost like it had a mind of its own - a cloud with an idea about what it wanted to be.
Fortunately, even in light of all these necessary distractions, and mostly on account of my great assistants Amber and Nicholas and remarkable community support, the mural is almost finished. The dedication will be Thursday, June 3rd at 6 pm. You're all invited.

Tonkawa - Design: The Film

 Click the link to view -  http://vimeo.com/42738958

 "Design! - The Film'" Shot and edited by Nicholas Ward and Amber Hansen with occasional steering and much appreciation from Dave.

Tonkawa - Painting Begins

Under overcast skies with temperatures in the low 60's, we set-up the paint table with brand new quart containers of Nova Color paint in hopes of enticing passersby to apply the first colored strokes to the mural. There were only a few curious onlookers when we began at 5:30 and still no one brave enough to make the first mark.
photo by Irene Ackerson
But as people got off of work and word spread of free homemade desserts, they started showing up - a gaggle of kids on bmx bikes, a family with grandma, folks from the Tonkawa Tribe, and even a few high school students who concluded, I imagine, that the mural was cool enough. And they kept coming. An hour later there was a real crowd, for Tonkawa, (over eighty people by our count) painting, watching, eating cupcakes and apple crisp, and playing games and chalk drawing in the middle of blocked off Grand Street.

The practical task for 'community painting days' was to block-in big areas of color that form the background shapes within the mural design. Anyone who wanted to, or who lingered too long watching, was handed a brush and directed toward a specific area to fill-in.
photo by Irene Ackerson
Inviting the community to paint was also an opportunity for mural design team participants to share with other townsfolk the genesis of the imagery in the design and how it related to the spirit of Tonkawa's past, present, and future.

Among the many local people who came out during community paint days were beloved local artist Gene Dougherty,


Tonkawa police officer Travis Painter (yes Painter),


local fashion mavens Michelle and Wiladean,


and Gordon Warrior with four generations of his family.


After painting wound down and the sun set, more than sixty people made their way over to the field behind Dollar General for popcorn and a free outdoor movie.

Tonkawa - Transferring the Design and Color Studies

Checking the radar on Amber's computer, it looked like we'd have a three hour window of tornadoless weather (this is no joke - there seems to be a tornado or two in the vicinity at least once every day). Power for the LCD projector and laptop were drawn from a city utility box attached to Tonkawa's lone stoplight at Main & Grand. All we needed was for it to get dark. While we waited anxiously for the sun to slip below the horizon, people cruisng down Main Street slowed down, curious to try to figure out what was going on. Then finally, at around 8:30 with only an afterglow of twilight in the sky we turned on the projector...

With the help of a couple local tech wizards, a core group of steady handed painters, a dj, and a few cheerleaders the line design was transferred to the 124 foot wall using thinned down paint in a little over two hours.

photo by Ken Crowder

In what seemed like only a moment, eight inch tall hands from the mural design were transformed into ten foot tall hands on the wall, Max Carr's plane went from toy size to almost real plane size, and for the first time we got a glimpse of how the mural would look at full-scale.


Back in the studio at Northern Oklahoma College, Nicholas, Amber and I began translating our line design into a 3/4 inch = 1 foot color study collage made out of cut paper. Using cut paper instead of paint at this stage allows for quick changes in color and value, and because cutting and pasting doesn't favor small details, it forced us to focus on larger shapes within the overall composition as opposed to more superficial embellishments.

Tonkawa - Priming the Wall

Here is Nicholas and Amber's second short film documenting the Tonkawa mural project. While watching, listen for excerpts from their new song "Tonkawa."

Tonkawa - Mural Block Party!

Block Party & Mural Painting Kick- Off
Friday, May 14th5:30 - 8:30pmCorner of Main & Grand in downtown Tonkawa

Events

• Community painting on the mural
• Live music
• 4 square, jump rope, hopscotch, dancing
• Community supper and free dessert
• Make your own street pastel painting

Dave at a street painting festival in Kansas City

And then when it gets dark... A free outdoor movie with free popcorn in the field behind Dollar General!

For more information on these events contact the Chamber of Commerce at 580-628-2220.

Tonkawa - Design

At my studio in Lawrence, Amber, Nicholas and I began sorting through boxes of research material. We rolled out long pieces of paper that represented the wall at a 1/2" = 1' scale and started scribbling and sketching down images and words (that represented images) to see how they looked juxtaposed together. In my experience this is is the hardest part of any mural project - working to transform and distill the vast collection of ideas and images into a composition that is both visually compelling and conceptually meaningful.


In our early studies, we decided to use divisions in the wall created by metal downspouts to organize the design into five sections or panels. From left to right we settled on five interrelated themes:

1) Max Carr delivering newspapers from his airplane (which will highlight events from Tonkawa's history) to rural Kay County farms .


2) Railroad Cisco of the Tonkawa Tribe describing to a group of students the tribe's journey from Texas to Oklahoma in the 1880's, and the Land Run that followed in 1893.


3) A symbolic scene showing a representative group of Tonkawans playing a traditional drum, nestled within giant hands cupped together in the shape of a heart, that radiates waves of sound, memory, and aspiration back through history and forward into the future.


4) A group of local folks around a coffee table fixing, painting, and reimagining the downtown.


5) A whimsical representation of Tonkawa's creative spirit symbolized by figures setting the moon and stars into a twilight sky as an outdoor movie is projected behind them.


Back in Tonkawa, we presented our design to the mural team. They studied it carefully, and after a good discussion it was approved with the understanding that we would reincorporate a couple dancing atop the grain elevator and add a Buccaneer (the high school mascot) somewhere in the last panel. Next step: cut paper collage color study.

Tonkawa - Behind the Scenes

For our regular go-around design team warm-up, Nicholas asked everyone to reveal nicknames they've been known by for better or worse. In the photo, there's Ken, Audrey, Michelle, Clayton, and Edward contemplating whether they'll fess-up while I record their monikers for posterity. We discovered that in our group there is a Boompa, Breezy, Amburger-hamburger, Red-thunder, Laundry, Clam-chowder, Rag-mop, and Trany-pop-switch-techstyle-fatty-handrail-90-grinder to name just a few.


Experts with a t-square and tape measure, Gordon, Fernando, Audrey, and Irene (behind the camera) measured our wall down to the 1/8th of an inch. The resulting dimensions: 15 feet tall by 124 feet and 7/8ths of an inch long.


Anna, a daughter of the Tonkawa Daylight Donuts owner, is also one of the youngest members of the mural design team. Here she's seen hard at work on one her many remarkable short stories describing what we should put in the mural. Below are few excerpts from her ongoing series..."Draw a mermaid listening to loud music and she dance everywhere!"
"Draw five people treasure hunting and then draw other people and then they end up seeing each other and when they get tired they say to each other - Are you ok? Nobody should be enemies"
"Draw kids drinking coffee and write Don't drink coffee it makes you shorter. I tried it once."


Pancakes had to wait as a 93 year old Max Carr described his technique for delivering the Sunday paper from the cockpit of his airplane to farms in Kay County in the 1930's.


No one could have predicted that priming the wall was destined to become a roller vs. roller showdown. But when President of Northern Oklahoma College, Dr. Stacy (left) arrived with his wife Dr. Stacy and their grandson, it was on. He faced off against all comers (photographer Ken - Clam chowder - Crowder is seen being bested here) and not only out painted them, but did it while wearing a suit and tie. The wall was primed in no time, and just like Tom Sawyer, I hardly had to paint a lick.


Amber and Nicholas studying volumes of the 1960-70's Tonkawa News at the newspaper office.

Tonkawa - Research II

Tonkawa is one of many north central Oklahoma towns who's founding story goes back to the celebrated Cherokee Outlet Land Run. As it's often re-told - at noon on September 16, 1893 over 100,000 would be landowners readied themselves at the Outlet's eastern border/starting line. A shot was fired into the air and the race to lay claim to sections of the 6.5 million acre area was on.

But the story is not that simple, because the Outlet like much of the Oklahoma Territory, had been for many years the federally designated home to Native Americans of many tribes including the Tonkawa, and the opening of this area to new settlement meant that those tribes had to give up most of the land promised to them in perpetuity . Amber, Nicholas and I were fortunate to get a brief illustrated history of this from Tonkawa Tribal President Don Patterson during our visit to the Tribe's community center just east of town. At a dry erase board in his office, Don described the ever shrinking parcels of land Native Americans have been 'given' by the U.S. government, including the Tonkawa, who in 1885 were living on 96,000 acres. Today, Don told us, that 96,000 acre reserve has been whittled down to only around 1,000 acres of fragmented allotments.

Over and over during our research we have heard that the land, how it's settled and the resources it provides are fundamental to the identity of Tonkawa. At our last mural design team meeting, residents reflected on the legacy of the oil boom & bust years, the coming and going of the railroad, memories of the Salt Fork and Chikaskia rivers, and the steadfastness of local farmers some of whom have passed their land on to descendants for more than a century. And although there was a certain sense of pride expressed in what had help establish Tonkawa, some on the design team wondered aloud if looking backward in time, the way many murals in the area do, was enough, especially in light of ongoing economic challenges facing both the tribe and town. A few folks suggested that the mural might be more meaningful to young people if it expressed an acknowledgment of present circumstances, cultural diversity, and a vision for the future in addition to references from the past.

Our initial research is just about finished. Now comes the tough part - trying to coax out a picture story, both meaningful and visually captivating, that conjures the spirit of our conversations, the facts and figures we have gathered, and the input from people in the community that has been shared with us. It is an imperfect process, and as I keep reminding everyone who asks whether this or that will be in the final design - This is just the first mural. There are lots of great walls in Tonkawa just aching for a good idea and a little color.

Tonkawa - Washing the Wall

This short film is the first in a series of glimpses behind the scenes of the MAAA - Tonkawa Mural Project. "Washing the Wall" was shot and edited by Nicholas Ward and Amber Hansen.

Tonkawa - Mural Assistants

With only a few days left before the Tonkawa project was to begin, I found the roustabout mural couple Nicholas Ward and Amber Hansen contemplating the post-MFA art world in front of the Bourgeois Pig in Lawrence. Both had recently cleared the next to last hurdle before becoming terminal degree artists and were anxious to put their skills to the test.
But Hansen, originally from Iowa, and Ward, a native of South Dakota, are no novices when it comes to wall painting. Known in some parts as "The Kansas Muralists," this multi-talented couple bring painting, film-making, stop-motion animation, ukulele, and other yet undiscovered talents to the project, and I am pleased to have them as mural co-conspirators here in Oklahoma.

Tonkawa - Design Team research I

I arrived in Tonkawa for the first mural project community meeting on March 28th. Before the meeting, as people flowed into the conference room at the First National Bank, I looked around at a gallery of panoramic photographs of Three Sands oil filed and the town that sprang up around it in the 1920's. Back then Tonkawa was known as the "Billion Dollar Spot," due to the discovery of these incredible oil reserves. Today, although you can still see a few oil pumps churning away south of town, the skyline of derricks that used to dominate the horizon and the bustling town around them are all but gone.

By two o'clock there was a crowd of about thirty people ready for my presentation, which is basically a fifteen minute history of murals from the cave paintings in Lascaux to Giotto to Rivera to the New Deal post office murals and finally to the contemporary community mural movement beginning with the "Wall of Respect" in Chicago, followed by a brief overview of the development of my murals and how I go about choreographing their design and execution.

After the slide show and a break where we all had a chance to get some cookies and punch, we reassembled and I asked the audience to share with me how they envisioned the mural at this early stage in the process. I wrote their comments on a flip-pad as they spoke: wheat heart, Cherokee Strip Land Run, Tonkawa Tribe, state football champions, Three Sands, the Heart in the Park Labyrinth, the Chikaskia and Salt Fork Rivers, and the POW camp began the list. It was clear right away that Tonkawa was rich with a layered, interwoven, and deeply felt cultural history, and that residents (at least the ones who came to this meeting) were engaged in an ongoing dialogue about how that history was preserved and told, and how it influenced the identity of the place they lived in today.

The meeting ended with a few of us, including Audrey Schmitz and Ken Crowder, walking down Grand St. to look at potential walls for the mural. There were three or four excellent spots, but we all seemed to agree that Tonkawas's first outdoor mural might have the biggest impact on a wall (seen below) at the intersection of Main and Grand, home to Tonkawa's lone stoplight.