Joplin - First Satellite Project Completed

Last Monday the satellite project team carefully transported the mosaic design for Cleo's tree stump over to its intended home on Pearl Street.

With six of us working non-stop for a couple of hours, we set the broken tile and mirror glass piece by piece.

And just as the sun dipped below the western horizon, we finished, as an almost perfect full moon rose above South Middle School.

Joplin - Painting Begins

The 100+ degree heat couldn't keep away more than 275 volunteers who came out to kick-off painting of the mural. Plenty of cool drinks, sandwiches, and fresh fruit donated by friends kept the painters fueled, while I worked double-speed, like a hot-shot barista, to mix enough colors to keep their brushes busy.

We started at the bottom and gradually worked our way up the wall so our smaller volunteers wouldn't have to climb the scaffold

Painters checked in with mural assistant Amber Hansen before they got their assignments.

Heather, an artist from the neighborhood, lent us a tent to provide a welcome spot of shade.

Colors for the mural are based on the color study we developed using cut-paper collage. To see a short film of this collage process from our project last year in Tonkawa, Oklahoma, click here.

We continued by blocking in large areas of color in the background before working on details.

After a week or so of painting...

Joplin - Dave (sort of) Cuts the Ribbon

I was honored to be given the task of cutting the ribbon for the Joplin Area Chamber of Commerce as they celebrated the beginning of work on the mural. But truth be told, the over-sized scissors were only for show. As I went through the motions of cutting, an unseen hand did the dirty work with a more modest pair of shears.

Joplin - Satellite Projects / Signs of Hope part I

When we visited Joplin in June to talk about how the tornado would impact our plans, a few people at the meetings we held at the Spiva suggested that we do some small, perhaps temporary, projects that would reestablish some points of reference and sense of direction in areas that were damaged by the storm. The group also felt that, in a landscape drained of color, embellishing damaged buildings and objects with beautiful handmade artworks might help raise spirits, inspire, and reconnect residents to their neighborhoods. I thought about this and offered that we might be able to make some small mosaics using found tile and objects on existing structures. I also knew it would be a lot of work...

A month or so later when the design team was just getting started, I asked them if they still wanted to make what we referred to as these 'Signs of Hope' out in the tornado path. They emphatically did and so we formed a small sub-design team of about seven people who began to research and design for this project. Our first question was where? Where was the right kind of place for these smaller artworks to go? And where could we quickly get permission to do them? The problem was solved when design team member Cleo offered that we could use the area around her house at 22nd & Pearl as a site for the projects.

At our next meeting, we visited Cleo's house, still standing but heavily damaged, and decided on three locations for our temporary projects - an 80+ year old tree stump left after the tree was taken down by the tornado, a small set of steps that had led to Cleo's front door, and four pillars at the entryway to South Middle School across the street from Cleo's.

Next, we began collecting bits and pieces of tile, glass, mirror, and other debris from around Cleo and Shaun's homes.

We brought all of this collected material back to the studio and started to design for our three sites - the stump and stairs we decided would be mosaic and the pillars in front of the school would be painted.

Joplin - Wall Preparation and Design Transfer

In 100+ degree heat we started work on site at 15th & Main. Here are pictures from Powerwashing,  Priming, and Transferring the design.

Design team member Hiram begins powerwashing.

The coolest job in town.

It took about 15 gallons.

Kyle when he still had his beard.

Amber touching up at the very top of the wall.

After some tinkering to get the image adjusted using a digital projector from across the street, transferring the design went smoothly.

We get to see the design at full-scale for the first time.

Joplin - Creating the Mural Design Part II

In the studio, we divided up the tasks for creating the final design. Kyle and Amber composed parts of the kids drawings into a visionary world of transition and transformation, while I integrated their work into the larger design with a section of the mural that referenced Joplin's origins on the left side and a section that symbolized regeneration and hope on the right.

Kyle and Amber sort through drawings.

Dave begins to compose the final design.

Below is the final drawing of the design for the mural. It is drawn to a 1 inch equals 1 foot scale which makes the full drawing 19 inches tall and 105 inches long. Scroll down to see details of the design with descriptions of the imagery.

Inspired by the metamorphosis of butterflies, the myth of the Phoenix, and the capacity for renewal expressed in the imaginations of children, the design is a like short picture story in three chapters. (click on the image to make it larger)

In the far left panel, a miner standing atop giant crystal formations points out toward the future and a young George Washington Carver examines the roots of a plant specimen. Above the figures, is the first part of a quote from Langston Hughes'  poem "In Time of Silver Rain." Dividing this panel from the rest of the mural is a large serpentine shape taken from the Wilders Restaurant neon sign on Main street.

To the right of the Wilders sign, two children sit a table drawing. Their pictures activate an imaginary landscape that unfolds in front of them beginning with a small butterfly that floats above the surface of the wall.

At the center of the mural, images made by children in our drawing workshops depict clean-up activities after the tornado.

After the challenges of the storm, new flowers bloom, trees sprout new leaves, and children come out to play. Butterflies float magically over the surface of the mural carrying its images within their wings.

In the far right panel, divided from the imaginary landscape by a neon sign inspired by Wilders Restaurant, eagles carved from tree stumps downed during the tornado are illuminated by the light of a Phoenix which has taken flight. Inscribed above the Phoenix is the second part of the quote from  the Langston Hughes' poem "In Time of Silver Rain."

Joplin - Creating the Mural Design Part I

Fashioning together a mural design from the hundreds of images and ideas generated is a daunting task. And there is always an inclination to try include everything and create a kind of patchwork mural. We challenged ourselves to take things a step further and create something more integrated and dynamic that reflected our shared experience in a beautiful and interesting way, while incorporating the work of a large and diverse group of participants.

To do this we first needed a theme, a general visual and conceptual idea, to work from. As a group, the design team considered:

• The significance of this moment in Joplin's history.

• The input we had received from community meetings and drawing workshops.

• Where the mural was going to be located.

• Who the audiences viewing the mural would be.

• What we wanted to communicate.

From these considerations, a few key ideas kept coming up. They were transition, vision, metamorphosis, and revitalization (including the myth of the Phoenix). There was also a strong feeling expressed for using the drawings that young people created as a significant part of the mural. In the studio, the design team took these ideas and began to form images that symbolized a kind of visionary metamorphosis, while Amber, Kyle and I searched through all of the kids drawings to find ones that seemed to best capture the moment.

Here are some of the design team drawings that used visual icons like trees and  butterflies as vessels to be filled with ideas about transformation and revitalization.

And here a few of the drawings kids made that we chose to use parts of in our design.

Then I had an idea... What if the kids drawings were somehow brought to life by something symbolizing a beautiful transformation - like a butterfly.  It felt right and so I quickly did this mock-up where a butterfly takes flight from one of the their drawings.

The next piece of the design puzzle came from one of my favorite poets and Joplin native son Langston Hughes. We had been looking for poetry to enhance the mural's developing story when Sharon, one of our design team members, brought in the poem "In Time of Silver Rain" by Hughes -

In time of silver rain
The earth
Puts forth new life again,
Green grasses grow
And flowers lift their heads,
And over all the plain
The wonder spreads
      Of life,
      of life,
      of life!
In time of silver rain
The butterflies
Lift silken wings
To catch a rainbow cry,
And trees put forth
New leaves to sing
In joy beneath the sky
As down the roadway
Passing boys and girls
Go singing, too,
In time of silver rain
      When spring
      And life
      Are new.

Amazing. The poem's tone and imagery seemed too fit perfectly with the direction our design was taking. All we had to do was figure out how to bring together all these sources - the kid's drawings, the design team's work, my ideas about the butterfly, and the poetry - into something that looked and felt like a short (picture) story.

The mural design we created from this material is just one of the countless designs that could have been made, and it couldn't possibly include all of the incredible images that were created as part of the process. The good thing is that Joplin has many other walls calling out for a murals - hint, hint.

Joplin’s public mural holds message of hope, pride 

By Josh Letner   Joplin Globe Staff Writer

The Joplin Globe Mon Aug 29, 2011, 09:00 AM CDT

JOPLIN, Mo. — After making a preliminary trip to Joplin last December, artist Dave Loewenstein was excited about the prospect of creating a community mural. But after the May 22 tornado destroyed a third of the city, Loewenstein said, he wasn’t sure how much enthusiasm remained for the mural project. “Things changed here quite a bit,” he said over the weekend. “We weren’t sure exactly how that was going to change what we were going to do, but we came down in early June and met with some folks, and they said, ‘We want to do this more now than ever after what’s happened.’”

Philip Ledbetter, an employee of St. John’s Mercy, contributes to Joplin’s public mural on Saturday at 15th and Main streets. A wall of the Dixie Printing building is the showcase for the project. GLOBE/BILL STEWART

Loewenstein is the lead muralist for the Community Mural Project, a community-based project that seeks to develop high quality works of art through a collaboration driven by local people. Last year, Loewenstein completed murals in Tonkawa, Okla., and Newton, Kan., as part of the project. Joplin is the latest stop on a six-state mural project.

WALL CANVAS
The Joplin mural’s canvas is an exterior wall of the Dixie Printing building at 15th and Main streets. An army of artists took up brushes Saturday and Sunday, completing the mural portion that could be reached from the ground. The mural crew, over the next several days, will finish the upper portion while standing on scaffolding.

After arriving in Joplin, Loewenstein’s team collaborated with more than 200 area children and about 15 local artists and other residents to come up with the theme for the community mural. Although the organizers never intended to feature tornado-related images in the project, Loewenstein said, the storm was a recurring theme in the children’s drawings. “What we discovered when we worked with the kids at the Boys & Girls Club, even though we never mentioned the tornado once, many of them, because they lived through it, were drawing about it,” he said. “So we included some of the challenging imagery that they made in a portion of the mural to show how Joplin has been challenged with a lot of things recently.”

The mural is a depiction of the Joplin community. If viewed from left to right, it begins with historical images of a miner and of George Washington Carver. Next is a depiction of a student at a table drawing a design, and near the center are chaotic images of the tornado’s destruction. Loewenstein said the message is one of hope and pride. “The last part of the mural shows the enormous community and nationwide response to what happened, and a real vision for the future,” he said.

Assistant muralist Amber Hansen said it is important for people to realize that art is not only about a “lone artist” toiling in solitude to create a masterpiece that is purchased by a wealthy buyer for his personal collection. “That’s not the full potential of what art can do,” she said. “Art can bring together a community. It’s an outlet for sharing your feelings and your experiences, and the kids and the design team displayed that immediately for us.” She said it is important for the community to “beautify and not just clean up or pragmatically build.”

‘MORE BEAUTY’
Carissa Fisher, whose home on Arizona Avenue was destroyed by the tornado, dabbed green paint into the mortar between bricks Saturday as she said the mural project is a good way to show her children, her 3-year-old daughter in particular, that the community is rebuilding. “When we drive through town, it’s so horrific for her still, but every time she sees something that’s been rebuilt or a painting like this, it makes her feel so happy,” Fisher said. “It is important that everyone who was affected by it sees that not only is Joplin coming back, but it’s coming back with more beauty.”

Lacey Eagleshield, first-year art teacher at Joplin High School, said she encouraged all of her students to take part in the mural project. She said art can be a useful tool in helping children express their emotions about traumatic events. “It helps with the healing process,” she said. “If they’re not able to express in words how they’re feeling, it helps to draw it out. It’s kind of a therapeutic process.”

For Loewenstein, the project shows the power of art and the effect that it can have on a community. “Something that’s important to me is to show that art has a much higher purpose than we’re accustomed to,” he said. “It’s not just that thing in a museum, and it’s not just that thing that is on the refrigerator, although those things are fantastic. It can serve a real community purpose, and by doing this out here at this time, I think we’re making that case.”

Joplin Globe Article

Community mural to be painted on wall in Joplin

from the Joplin Globe
By Emily Younker  

  The Joplin Globe Tue Aug 23, 2011, 07:53 PM JOPLIN, Mo. — If you’ve ever wanted to try your hand at public art, this weekend will be your chance.

Artist Dave Loewenstein welcomes visitors recently to an exhibit of children’s 

drawings at the Gryphon Building at 10th and Main.

Everyone — artist or not — may help turn a blank wall at the corner of 15th and Main streets into a mural honoring the city of Joplin, said Sharon Beshore, vice chairwoman of the Joplin Area Chamber of Commerce’s Cultural Affairs Committee  “It’s something that’s very visible to the public,” she said. “This is hopefully the first of community-based murals (in Joplin). ” Dave Loewenstein, the project’s lead muralist, said it is important for Joplin residents to have this opportunity. In a blog for the project, the Lawrence, Kan., artist wrote that creating the mural could give people “an outlet” and could help in the healing after the May 22 tornado.

‘INSPIRE, REMEMBER, ENVISION’
“Our project has always been centered around the opportunity for community-driven art to inspire, remember and envision,” he wrote. “As Joplin begins its long process of recovery, our project and how it can engage the community may be more relevant and useful, pertinent and powerful than we could have imagined. ”The mural will be painted along the south wall of Dixie Printing, on the northwest corner of 15th and Main streets. Beshore said the committee had first scouted downtown locations for the mural before switching gears after the tornado. She said a centrally located mural could draw attention and spur interest in a section of Joplin that will need to be rebuilt. “We moved it to 15th and Main, which is halfway between the tornado area and the downtown, so it can kind of be what we call a gateway — a transition from one area into another area,” she said.

The design was created based on views from about 100 Joplin residents who attended a handful of recent meetings. More than 200 children from the Joplin Family Y, the Boys & Girls Club, and Spiva Center for the Arts also were consulted, Loewenstein said. “The drawings that the kids made were some of the most beautiful and insightful works we’ve seen during our whole visit here,” he said. “They have this ability to draw with a real kind of honesty, and they don’t self-edit the way that adults do. ”Loewenstein and a design team distilled those images and suggestions from the community meetings into the mural’s final design, which includes historical references as well as some tornado references. “It’s a visionary sort of image that is magical, I would say, in some ways and culminates in a very positive and hopeful future, I think, for folks who live here,” he said.

Beshore said the team did not want the mural to be a “tornado wall,” though she acknowledged that it was difficult to separate the storm from the design. “Of course, this is post-tornado, so you can’t just wash your mind of what happened,” she said. “Quite frankly, you can’t separate what’s happened from people’s ideas. If this (the art project) had happened a year ago, this would have been a completely different mural.”

‘WIDE-OPEN VIEW’
Tom Jensen, owner of Dixie Printing, said the mural likely will draw attention to the building, which faces a parking lot and is in a “wide-open view” for passers-by. “Primarily, it’s just anything that we can do to promote this town,” he said. The mural will be the second in Joplin through the Art in Public Places project, which falls under the chamber’s Cultural Affairs Committee. The first project brought a mural by Anthony Benton Gude, grandson of Thomas Hart Benton, to City Hall. It also will be the third mural regionally to be created with the support of the Mid-America Arts Alliance, which last year supported community murals in Newton, Kan., and Tonkawa, Okla.

“There’s a big push for public art — art that people can just enjoy in their everyday life,” Beshore said. “You don’t have to go to a gallery to see it; it’s just out there in the public domain.” If you go,
AS SPACE ALLOWS, the public may help paint Joplin’s new community mural between 10 a.m. and 4 p.m. Saturday and Sunday at the corner of 15th and Main streets.

"Called to Walls" the documentary

Help support the documentary by pledging on Kickstarter!
http://www.kickstarter.com/projects/calledtowalls/

Out of view of the high art world and the hip gallery scene comes this heartening story of unlikely partners in Middle American communities working together to reexamine their histories, celebrate what makes their towns unique, and imagine their futures in the form of monumental community murals. This film is part road movie, part inspirational small town drama, and part art documentary. Working in conjunction with Mid America Arts Alliance's "The Mural Project," this compelling story follows Kansas artist Dave Loewenstein, on a three-year journey around the heart of the US, helping to reignite a sense of civic pride and creative possibility in places often overlooked. "Called to Walls" is a thoughtful and uplifting film that leaves viewers not only admiring the serious work and good will of these artists, but also with an itch to go out and do it themselves.

Joplin - The Design Team

Making the transition from community meetings into design work means finally sinking our teeth into the big question - What of the countless interesting, memorable, and beautiful things suggested and drawn can we weave together to make a great mural?

So we know they really want to do it, the fifteen or so people who make up the design team select themselves.  They join Amber, Kyle, Josie, Nicholas and myself, to help distill and shape the input that's been given into a theme that resonates in a beautiful and meaningful way. 

At our first meeting held in our newly converted studio space, we asked the team to consider the all material we have collected, and suggestions we had heard,  and then imagine a sort of concrete poem that encapsulates the spirit of and vision for Joplin at this moment in time.

To do this, we made what I call 'word pictures.' Making a word picture is pretty straight forward. First you draw a large rectangle that has the basic proportions of the wall for the mural, then you fill that rectangle with words and phrases that refer to the imagery to be included in the design, with the size and position of these words and phrases written to correspond to their relative importance.

We worked on these for a while and then presented them to the group. The conversations that happen around these presentations are always some of the most compelling and fruitful. It seems that holding up an artwork you've made, no matter how modest, stimulates a person's capacity to articulate their intentions by allowing them to speak through the imagery they have created.

What we learned is that although people who live in the same town may share certain cultural and historical symbols, (In Joplin those would include mining, Route 66,  and the eagle mascot) their deeper sense of identity is much more personal and is built from first-hand experience. And whether it's kids or grown-ups, this is where the richest material for art is found - in those specific and personal examples of how we know, remember, and envision our home.